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                  <text>&lt;h3&gt;General Summary of D'Arcy McNickel's Novel, "The Surrounded"(This summary comes as an afterword written by Lawrence W. Towner):&lt;/h3&gt;
"As 'The Surrounded' opens, Archilde Leon has just returned from the big city to his father's ranch on the Flathead Indian Reservation in Montana. The story that unfolds captures the intense and varied conflicts that already characterized reservation life in 1936, when this remarkable novel was first published. Educated at a federal Indian boarding school, Archilde is torn not only between white and Indian cultures but between love for his Spanish father and his Indian mother, who in her old age is rejecting white culture and religion to return to the ways of her people. Archilde's young contemporaries, meanwhile, are succumbing to the destructive influence of reservation life, growing increasingly uprooted, dissolute, hopeless. Although Archilde plans to leave the reservation after a brief visit, his entanglements delay his departure until he faces destruction by the white man's law." &lt;br /&gt;&lt;br /&gt;By the end of the novel, Archilde truly understands what it means to be "surrounded" by the mountain ranges, a father, a Jesuit Mission, and government laws. McNickle portrays this as a fated journey that is often given to young Native American children forced to attend federal boarding schools. He does not create a romantic caricature of Native life but rather reinforces the brokenness, the dissonance and alienation Native American children felt during early 20th century reservation life. &lt;br /&gt;&lt;br /&gt;&lt;em&gt;*You can find my extended analysis of the novel in the "Exhibits" section.*&lt;/em&gt;</text>
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                  <text>&lt;h3&gt;About the Creator:&lt;/h3&gt;
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                  <text>&lt;h3&gt;About the Project: &lt;/h3&gt;
“The Surrounded” project aims to explore a complicated history revolving the colonial arrival of Jesuit Missionaries onto Native American reservations--particularly the Flathead Reservation in Western Montana. All of the images included in the project are photos extracted from the Jesuit Oregon Province Archives (JOPA) at the Foley Center Library, Gonzaga University. Before talking about the project, it’s important to note that the gaze (or scope) of these materials rely heavily on the point of view from the Jesuit Missionaries. In their attempt to document history, these images did not allow for me to discover the viewpoint or opinions of the Indigenous people to the land. Because of this limitation, the only way to present this material with a level gaze was by contextualizing the resources from the archive, with D’Arcy McNickle's novel, "The Surrounded." &lt;br /&gt;&lt;br /&gt;In a review, one scholar identified McNickle as, "a distinguished anthropologist and writer, and one of the founders of the National Congress of American Indians, the late D'Arcy McNickle was a member of the Confederated Salish and Kootenai tribes of Montana." The inclusion of McNickle's novel drives the leveling scope of this project because historically, the complicated history of these two cultures is often romanticized by the dominant ideology. Without McNickle’s experienced critiques of this ideology, the project would inevitably fail as because of it’s lack of interrogation with both peoples who inhabited the reservation. &lt;br /&gt;&lt;br /&gt;The novel takes place on the Flathead Native American Reservation in Montana. McNickle's protagonist, Archilde Leon, goes on a fated journey revealing the complex relationship that developed between the Jesuit Missionaries and the Native American peoples. The novel provides its reader with realistic depictions of reservation life for both the indigenous people to the lands and the Jesuit Missionaries who arrived onto the reservation in the fall of 1854. By providing images and journal entries from historical moments on the Reservation, consumers of my project can then articulate whether the relationship between the two groups was a colonial one, or a intersectional one. With this sudden clash of culture, who was greatly affected? &lt;br /&gt;&lt;br /&gt;McNickle initially portrays the black robed priests as white settlers who did not arrive hoping to force the indigenous people to assimilate—but as the novel moves a long, and the Native peoples become more demobilized by the white settlers, McNickle reveals a shift in the relationship between the black robes and the local tribes of the Flathead Reservation. McNickle initially portrays the black robed priests as white settlers who did not arrive hoping to force the indigenous people to assimilate—but as the novel moves a long, and the Native peoples become more demobilized by the white settlers, McNickle reveals a shift in the relationship between the black robes and the local tribes of the Flathead Reservation. As the Native peoples became justifiably more rebellious, McNickle depicts the newer black robed priests as a group of peoples who did not care to entertain the history of indigenous cultures—they became solely focused on forced assimilation. On the opening page of the print based text, McNickle adds a note which reads, "they called that place Sniel-emen (mountains of the surrounded) because there they had been set upon and destroyed."</text>
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                  <text>&lt;h3&gt;General Summary of D'Arcy McNickel's Novel, "The Surrounded"(This summary comes as an afterword written by Lawrence W. Towner):&lt;/h3&gt;
"As 'The Surrounded' opens, Archilde Leon has just returned from the big city to his father's ranch on the Flathead Indian Reservation in Montana. The story that unfolds captures the intense and varied conflicts that already characterized reservation life in 1936, when this remarkable novel was first published. Educated at a federal Indian boarding school, Archilde is torn not only between white and Indian cultures but between love for his Spanish father and his Indian mother, who in her old age is rejecting white culture and religion to return to the ways of her people. Archilde's young contemporaries, meanwhile, are succumbing to the destructive influence of reservation life, growing increasingly uprooted, dissolute, hopeless. Although Archilde plans to leave the reservation after a brief visit, his entanglements delay his departure until he faces destruction by the white man's law." &lt;br /&gt;&lt;br /&gt;By the end of the novel, Archilde truly understands what it means to be "surrounded" by the mountain ranges, a father, a Jesuit Mission, and government laws. McNickle portrays this as a fated journey that is often given to young Native American children forced to attend federal boarding schools. He does not create a romantic caricature of Native life but rather reinforces the brokenness, the dissonance and alienation Native American children felt during early 20th century reservation life. &lt;br /&gt;&lt;br /&gt;&lt;em&gt;*You can find my extended analysis of the novel in the "Exhibits" section.*&lt;/em&gt;</text>
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                  <text>&lt;h3&gt;About the Creator:&lt;/h3&gt;
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“The Surrounded” project aims to explore a complicated history revolving the colonial arrival of Jesuit Missionaries onto Native American reservations--particularly the Flathead Reservation in Western Montana. All of the images included in the project are photos extracted from the Jesuit Oregon Province Archives (JOPA) at the Foley Center Library, Gonzaga University. Before talking about the project, it’s important to note that the gaze (or scope) of these materials rely heavily on the point of view from the Jesuit Missionaries. In their attempt to document history, these images did not allow for me to discover the viewpoint or opinions of the Indigenous people to the land. Because of this limitation, the only way to present this material with a level gaze was by contextualizing the resources from the archive, with D’Arcy McNickle's novel, "The Surrounded." &lt;br /&gt;&lt;br /&gt;In a review, one scholar identified McNickle as, "a distinguished anthropologist and writer, and one of the founders of the National Congress of American Indians, the late D'Arcy McNickle was a member of the Confederated Salish and Kootenai tribes of Montana." The inclusion of McNickle's novel drives the leveling scope of this project because historically, the complicated history of these two cultures is often romanticized by the dominant ideology. Without McNickle’s experienced critiques of this ideology, the project would inevitably fail as because of it’s lack of interrogation with both peoples who inhabited the reservation. &lt;br /&gt;&lt;br /&gt;The novel takes place on the Flathead Native American Reservation in Montana. McNickle's protagonist, Archilde Leon, goes on a fated journey revealing the complex relationship that developed between the Jesuit Missionaries and the Native American peoples. The novel provides its reader with realistic depictions of reservation life for both the indigenous people to the lands and the Jesuit Missionaries who arrived onto the reservation in the fall of 1854. By providing images and journal entries from historical moments on the Reservation, consumers of my project can then articulate whether the relationship between the two groups was a colonial one, or a intersectional one. With this sudden clash of culture, who was greatly affected? &lt;br /&gt;&lt;br /&gt;McNickle initially portrays the black robed priests as white settlers who did not arrive hoping to force the indigenous people to assimilate—but as the novel moves a long, and the Native peoples become more demobilized by the white settlers, McNickle reveals a shift in the relationship between the black robes and the local tribes of the Flathead Reservation. McNickle initially portrays the black robed priests as white settlers who did not arrive hoping to force the indigenous people to assimilate—but as the novel moves a long, and the Native peoples become more demobilized by the white settlers, McNickle reveals a shift in the relationship between the black robes and the local tribes of the Flathead Reservation. As the Native peoples became justifiably more rebellious, McNickle depicts the newer black robed priests as a group of peoples who did not care to entertain the history of indigenous cultures—they became solely focused on forced assimilation. On the opening page of the print based text, McNickle adds a note which reads, "they called that place Sniel-emen (mountains of the surrounded) because there they had been set upon and destroyed."</text>
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                  <text>&lt;h3&gt;General Summary of D'Arcy McNickel's Novel, "The Surrounded"(This summary comes as an afterword written by Lawrence W. Towner):&lt;/h3&gt;
"As 'The Surrounded' opens, Archilde Leon has just returned from the big city to his father's ranch on the Flathead Indian Reservation in Montana. The story that unfolds captures the intense and varied conflicts that already characterized reservation life in 1936, when this remarkable novel was first published. Educated at a federal Indian boarding school, Archilde is torn not only between white and Indian cultures but between love for his Spanish father and his Indian mother, who in her old age is rejecting white culture and religion to return to the ways of her people. Archilde's young contemporaries, meanwhile, are succumbing to the destructive influence of reservation life, growing increasingly uprooted, dissolute, hopeless. Although Archilde plans to leave the reservation after a brief visit, his entanglements delay his departure until he faces destruction by the white man's law." &lt;br /&gt;&lt;br /&gt;By the end of the novel, Archilde truly understands what it means to be "surrounded" by the mountain ranges, a father, a Jesuit Mission, and government laws. McNickle portrays this as a fated journey that is often given to young Native American children forced to attend federal boarding schools. He does not create a romantic caricature of Native life but rather reinforces the brokenness, the dissonance and alienation Native American children felt during early 20th century reservation life. &lt;br /&gt;&lt;br /&gt;&lt;em&gt;*You can find my extended analysis of the novel in the "Exhibits" section.*&lt;/em&gt;</text>
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                  <text>&lt;h3&gt;About the Creator:&lt;/h3&gt;
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“The Surrounded” project aims to explore a complicated history revolving the colonial arrival of Jesuit Missionaries onto Native American reservations--particularly the Flathead Reservation in Western Montana. All of the images included in the project are photos extracted from the Jesuit Oregon Province Archives (JOPA) at the Foley Center Library, Gonzaga University. Before talking about the project, it’s important to note that the gaze (or scope) of these materials rely heavily on the point of view from the Jesuit Missionaries. In their attempt to document history, these images did not allow for me to discover the viewpoint or opinions of the Indigenous people to the land. Because of this limitation, the only way to present this material with a level gaze was by contextualizing the resources from the archive, with D’Arcy McNickle's novel, "The Surrounded." &lt;br /&gt;&lt;br /&gt;In a review, one scholar identified McNickle as, "a distinguished anthropologist and writer, and one of the founders of the National Congress of American Indians, the late D'Arcy McNickle was a member of the Confederated Salish and Kootenai tribes of Montana." The inclusion of McNickle's novel drives the leveling scope of this project because historically, the complicated history of these two cultures is often romanticized by the dominant ideology. Without McNickle’s experienced critiques of this ideology, the project would inevitably fail as because of it’s lack of interrogation with both peoples who inhabited the reservation. &lt;br /&gt;&lt;br /&gt;The novel takes place on the Flathead Native American Reservation in Montana. McNickle's protagonist, Archilde Leon, goes on a fated journey revealing the complex relationship that developed between the Jesuit Missionaries and the Native American peoples. The novel provides its reader with realistic depictions of reservation life for both the indigenous people to the lands and the Jesuit Missionaries who arrived onto the reservation in the fall of 1854. By providing images and journal entries from historical moments on the Reservation, consumers of my project can then articulate whether the relationship between the two groups was a colonial one, or a intersectional one. With this sudden clash of culture, who was greatly affected? &lt;br /&gt;&lt;br /&gt;McNickle initially portrays the black robed priests as white settlers who did not arrive hoping to force the indigenous people to assimilate—but as the novel moves a long, and the Native peoples become more demobilized by the white settlers, McNickle reveals a shift in the relationship between the black robes and the local tribes of the Flathead Reservation. McNickle initially portrays the black robed priests as white settlers who did not arrive hoping to force the indigenous people to assimilate—but as the novel moves a long, and the Native peoples become more demobilized by the white settlers, McNickle reveals a shift in the relationship between the black robes and the local tribes of the Flathead Reservation. As the Native peoples became justifiably more rebellious, McNickle depicts the newer black robed priests as a group of peoples who did not care to entertain the history of indigenous cultures—they became solely focused on forced assimilation. On the opening page of the print based text, McNickle adds a note which reads, "they called that place Sniel-emen (mountains of the surrounded) because there they had been set upon and destroyed."</text>
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"As 'The Surrounded' opens, Archilde Leon has just returned from the big city to his father's ranch on the Flathead Indian Reservation in Montana. The story that unfolds captures the intense and varied conflicts that already characterized reservation life in 1936, when this remarkable novel was first published. Educated at a federal Indian boarding school, Archilde is torn not only between white and Indian cultures but between love for his Spanish father and his Indian mother, who in her old age is rejecting white culture and religion to return to the ways of her people. Archilde's young contemporaries, meanwhile, are succumbing to the destructive influence of reservation life, growing increasingly uprooted, dissolute, hopeless. Although Archilde plans to leave the reservation after a brief visit, his entanglements delay his departure until he faces destruction by the white man's law." &lt;br /&gt;&lt;br /&gt;By the end of the novel, Archilde truly understands what it means to be "surrounded" by the mountain ranges, a father, a Jesuit Mission, and government laws. McNickle portrays this as a fated journey that is often given to young Native American children forced to attend federal boarding schools. He does not create a romantic caricature of Native life but rather reinforces the brokenness, the dissonance and alienation Native American children felt during early 20th century reservation life. &lt;br /&gt;&lt;br /&gt;&lt;em&gt;*You can find my extended analysis of the novel in the "Exhibits" section.*&lt;/em&gt;</text>
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“The Surrounded” project aims to explore a complicated history revolving the colonial arrival of Jesuit Missionaries onto Native American reservations--particularly the Flathead Reservation in Western Montana. All of the images included in the project are photos extracted from the Jesuit Oregon Province Archives (JOPA) at the Foley Center Library, Gonzaga University. Before talking about the project, it’s important to note that the gaze (or scope) of these materials rely heavily on the point of view from the Jesuit Missionaries. In their attempt to document history, these images did not allow for me to discover the viewpoint or opinions of the Indigenous people to the land. Because of this limitation, the only way to present this material with a level gaze was by contextualizing the resources from the archive, with D’Arcy McNickle's novel, "The Surrounded." &lt;br /&gt;&lt;br /&gt;In a review, one scholar identified McNickle as, "a distinguished anthropologist and writer, and one of the founders of the National Congress of American Indians, the late D'Arcy McNickle was a member of the Confederated Salish and Kootenai tribes of Montana." The inclusion of McNickle's novel drives the leveling scope of this project because historically, the complicated history of these two cultures is often romanticized by the dominant ideology. Without McNickle’s experienced critiques of this ideology, the project would inevitably fail as because of it’s lack of interrogation with both peoples who inhabited the reservation. &lt;br /&gt;&lt;br /&gt;The novel takes place on the Flathead Native American Reservation in Montana. McNickle's protagonist, Archilde Leon, goes on a fated journey revealing the complex relationship that developed between the Jesuit Missionaries and the Native American peoples. The novel provides its reader with realistic depictions of reservation life for both the indigenous people to the lands and the Jesuit Missionaries who arrived onto the reservation in the fall of 1854. By providing images and journal entries from historical moments on the Reservation, consumers of my project can then articulate whether the relationship between the two groups was a colonial one, or a intersectional one. With this sudden clash of culture, who was greatly affected? &lt;br /&gt;&lt;br /&gt;McNickle initially portrays the black robed priests as white settlers who did not arrive hoping to force the indigenous people to assimilate—but as the novel moves a long, and the Native peoples become more demobilized by the white settlers, McNickle reveals a shift in the relationship between the black robes and the local tribes of the Flathead Reservation. McNickle initially portrays the black robed priests as white settlers who did not arrive hoping to force the indigenous people to assimilate—but as the novel moves a long, and the Native peoples become more demobilized by the white settlers, McNickle reveals a shift in the relationship between the black robes and the local tribes of the Flathead Reservation. As the Native peoples became justifiably more rebellious, McNickle depicts the newer black robed priests as a group of peoples who did not care to entertain the history of indigenous cultures—they became solely focused on forced assimilation. On the opening page of the print based text, McNickle adds a note which reads, "they called that place Sniel-emen (mountains of the surrounded) because there they had been set upon and destroyed."</text>
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"As 'The Surrounded' opens, Archilde Leon has just returned from the big city to his father's ranch on the Flathead Indian Reservation in Montana. The story that unfolds captures the intense and varied conflicts that already characterized reservation life in 1936, when this remarkable novel was first published. Educated at a federal Indian boarding school, Archilde is torn not only between white and Indian cultures but between love for his Spanish father and his Indian mother, who in her old age is rejecting white culture and religion to return to the ways of her people. Archilde's young contemporaries, meanwhile, are succumbing to the destructive influence of reservation life, growing increasingly uprooted, dissolute, hopeless. Although Archilde plans to leave the reservation after a brief visit, his entanglements delay his departure until he faces destruction by the white man's law." &lt;br /&gt;&lt;br /&gt;By the end of the novel, Archilde truly understands what it means to be "surrounded" by the mountain ranges, a father, a Jesuit Mission, and government laws. McNickle portrays this as a fated journey that is often given to young Native American children forced to attend federal boarding schools. He does not create a romantic caricature of Native life but rather reinforces the brokenness, the dissonance and alienation Native American children felt during early 20th century reservation life. &lt;br /&gt;&lt;br /&gt;&lt;em&gt;*You can find my extended analysis of the novel in the "Exhibits" section.*&lt;/em&gt;</text>
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“The Surrounded” project aims to explore a complicated history revolving the colonial arrival of Jesuit Missionaries onto Native American reservations--particularly the Flathead Reservation in Western Montana. All of the images included in the project are photos extracted from the Jesuit Oregon Province Archives (JOPA) at the Foley Center Library, Gonzaga University. Before talking about the project, it’s important to note that the gaze (or scope) of these materials rely heavily on the point of view from the Jesuit Missionaries. In their attempt to document history, these images did not allow for me to discover the viewpoint or opinions of the Indigenous people to the land. Because of this limitation, the only way to present this material with a level gaze was by contextualizing the resources from the archive, with D’Arcy McNickle's novel, "The Surrounded." &lt;br /&gt;&lt;br /&gt;In a review, one scholar identified McNickle as, "a distinguished anthropologist and writer, and one of the founders of the National Congress of American Indians, the late D'Arcy McNickle was a member of the Confederated Salish and Kootenai tribes of Montana." The inclusion of McNickle's novel drives the leveling scope of this project because historically, the complicated history of these two cultures is often romanticized by the dominant ideology. Without McNickle’s experienced critiques of this ideology, the project would inevitably fail as because of it’s lack of interrogation with both peoples who inhabited the reservation. &lt;br /&gt;&lt;br /&gt;The novel takes place on the Flathead Native American Reservation in Montana. McNickle's protagonist, Archilde Leon, goes on a fated journey revealing the complex relationship that developed between the Jesuit Missionaries and the Native American peoples. The novel provides its reader with realistic depictions of reservation life for both the indigenous people to the lands and the Jesuit Missionaries who arrived onto the reservation in the fall of 1854. By providing images and journal entries from historical moments on the Reservation, consumers of my project can then articulate whether the relationship between the two groups was a colonial one, or a intersectional one. With this sudden clash of culture, who was greatly affected? &lt;br /&gt;&lt;br /&gt;McNickle initially portrays the black robed priests as white settlers who did not arrive hoping to force the indigenous people to assimilate—but as the novel moves a long, and the Native peoples become more demobilized by the white settlers, McNickle reveals a shift in the relationship between the black robes and the local tribes of the Flathead Reservation. McNickle initially portrays the black robed priests as white settlers who did not arrive hoping to force the indigenous people to assimilate—but as the novel moves a long, and the Native peoples become more demobilized by the white settlers, McNickle reveals a shift in the relationship between the black robes and the local tribes of the Flathead Reservation. As the Native peoples became justifiably more rebellious, McNickle depicts the newer black robed priests as a group of peoples who did not care to entertain the history of indigenous cultures—they became solely focused on forced assimilation. On the opening page of the print based text, McNickle adds a note which reads, "they called that place Sniel-emen (mountains of the surrounded) because there they had been set upon and destroyed."</text>
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"As 'The Surrounded' opens, Archilde Leon has just returned from the big city to his father's ranch on the Flathead Indian Reservation in Montana. The story that unfolds captures the intense and varied conflicts that already characterized reservation life in 1936, when this remarkable novel was first published. Educated at a federal Indian boarding school, Archilde is torn not only between white and Indian cultures but between love for his Spanish father and his Indian mother, who in her old age is rejecting white culture and religion to return to the ways of her people. Archilde's young contemporaries, meanwhile, are succumbing to the destructive influence of reservation life, growing increasingly uprooted, dissolute, hopeless. Although Archilde plans to leave the reservation after a brief visit, his entanglements delay his departure until he faces destruction by the white man's law." &lt;br /&gt;&lt;br /&gt;By the end of the novel, Archilde truly understands what it means to be "surrounded" by the mountain ranges, a father, a Jesuit Mission, and government laws. McNickle portrays this as a fated journey that is often given to young Native American children forced to attend federal boarding schools. He does not create a romantic caricature of Native life but rather reinforces the brokenness, the dissonance and alienation Native American children felt during early 20th century reservation life. &lt;br /&gt;&lt;br /&gt;&lt;em&gt;*You can find my extended analysis of the novel in the "Exhibits" section.*&lt;/em&gt;</text>
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                  <text>&lt;h3&gt;About the Project: &lt;/h3&gt;
“The Surrounded” project aims to explore a complicated history revolving the colonial arrival of Jesuit Missionaries onto Native American reservations--particularly the Flathead Reservation in Western Montana. All of the images included in the project are photos extracted from the Jesuit Oregon Province Archives (JOPA) at the Foley Center Library, Gonzaga University. Before talking about the project, it’s important to note that the gaze (or scope) of these materials rely heavily on the point of view from the Jesuit Missionaries. In their attempt to document history, these images did not allow for me to discover the viewpoint or opinions of the Indigenous people to the land. Because of this limitation, the only way to present this material with a level gaze was by contextualizing the resources from the archive, with D’Arcy McNickle's novel, "The Surrounded." &lt;br /&gt;&lt;br /&gt;In a review, one scholar identified McNickle as, "a distinguished anthropologist and writer, and one of the founders of the National Congress of American Indians, the late D'Arcy McNickle was a member of the Confederated Salish and Kootenai tribes of Montana." The inclusion of McNickle's novel drives the leveling scope of this project because historically, the complicated history of these two cultures is often romanticized by the dominant ideology. Without McNickle’s experienced critiques of this ideology, the project would inevitably fail as because of it’s lack of interrogation with both peoples who inhabited the reservation. &lt;br /&gt;&lt;br /&gt;The novel takes place on the Flathead Native American Reservation in Montana. McNickle's protagonist, Archilde Leon, goes on a fated journey revealing the complex relationship that developed between the Jesuit Missionaries and the Native American peoples. The novel provides its reader with realistic depictions of reservation life for both the indigenous people to the lands and the Jesuit Missionaries who arrived onto the reservation in the fall of 1854. By providing images and journal entries from historical moments on the Reservation, consumers of my project can then articulate whether the relationship between the two groups was a colonial one, or a intersectional one. With this sudden clash of culture, who was greatly affected? &lt;br /&gt;&lt;br /&gt;McNickle initially portrays the black robed priests as white settlers who did not arrive hoping to force the indigenous people to assimilate—but as the novel moves a long, and the Native peoples become more demobilized by the white settlers, McNickle reveals a shift in the relationship between the black robes and the local tribes of the Flathead Reservation. McNickle initially portrays the black robed priests as white settlers who did not arrive hoping to force the indigenous people to assimilate—but as the novel moves a long, and the Native peoples become more demobilized by the white settlers, McNickle reveals a shift in the relationship between the black robes and the local tribes of the Flathead Reservation. As the Native peoples became justifiably more rebellious, McNickle depicts the newer black robed priests as a group of peoples who did not care to entertain the history of indigenous cultures—they became solely focused on forced assimilation. On the opening page of the print based text, McNickle adds a note which reads, "they called that place Sniel-emen (mountains of the surrounded) because there they had been set upon and destroyed."</text>
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                  <text>All quotes within this collection come from D'Arcy McNickle's novel, &lt;span style="text-decoration:underline;"&gt;The Surrounded&lt;/span&gt;</text>
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                  <text>All resources come from the St. Ignatius Mission Collection, Jesuit Oregon Province Archives.</text>
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                  <text>McNickle, D'Arcy. The Surrounded. Ed. Lawrence W. Towner. Albuquerque, NM: U of New Mexico, n.d. Print.</text>
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                  <text>Contact the Jesuit Oregon Province Archives, at Gonzaga University, for permission to copy or publish this image.&#13;
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                  <text>Daniel Hodge</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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                <text>A Visit from the Blackfeet Delegation</text>
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                <text>The text on the back of the photo reads: "[Native American Chiefs] came to Mission to inspect the church with purpose of building one for their own tribe situated across the mts. When they learned that the Frs. had built it from proceeds of sale of their own horses, the [Native Americans] returned home and invited the Fr. in charge of them to go and do likewise—He is still thinking about it.” In the novel, D'Arcy McNickle is very honest about how many Native American chiefs at first felt as if the Jesuit Missionaries could help to build their societies at a time when the government left them isolated on land with little resources.</text>
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                <text>St. Ignatius Mission Collection, Jesuit Oregon Province Archives.&#13;
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                <text>Contact the Jesuit Oregon Province Archives, at Gonzaga University, for permission to copy or publish this image.&#13;
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